Boyenga Team · Burlingame Eichlers What's mine worth?
The Eichler X-100 at dusk: a low steel-framed house with a flat folded-steel roof, exposed columns, floor-to-ceiling glass lit from within, and concrete block walls.

1586 Lexington Avenue, San Mateo · Opened 6 October 1956

Eichler built about eleven thousand houses. He built this one once.

Every other Eichler is wood post-and-beam. The X-100 is steel — six bents of four-inch H-columns carrying eight-inch I-beams, with a folded steel roof deck over the top. It cost up to $125,000 to build at a moment when the houses up the street sold for $17,950. Eichler opened the door, let roughly a hundred and fifty thousand people walk through, and never built it again.

Photography by Sabrina Huang, reproduced with permission

Burlingame Eichlers  /  The X-100

National Register of Historic Places Listed 20 June 2016 Reference 16000381 The only Eichler-related listing in San Mateo County

Steel Eichlers ever built

1 of 2

This one, and Raphael Soriano's house in Palo Alto, 1955. Neither entered production. Everything else Eichler built — roughly eleven thousand houses — was wood.

On the National Register

1 of 1

No other Eichler-related property in San Mateo County carries a National Register listing. Not in the Highlands, not in Burlingame, not in Foster City.

In 2026 the house turns

70

Opened to the public 6 October 1956 — weekdays one until six, weekends ten until six, admission free.

Why a Burlingame site carries a San Mateo house

Mills Estate is where the production line ended. This is where it was pushed.

The Burlingame Eichlers are 1963–65 work: Claude Oakland's drawings, four and five bedrooms, two thousand square feet and up, the last and largest thing the company made. The X-100 is 1956 — seven years earlier, at the other end of the argument. It is the house where Eichler asked what would happen if the structure stopped being made of wood, answered the question expensively, and then went back to wood for the next eighteen years.

The two sit on neighbouring San Mateo County ridges. If you are looking at a Mills Estate Eichler, the X-100 is the reason the plan you are standing in is open at all — and the reason Eichler could sell a hillside nobody had heard of.

What a late Eichler actually is →
Burlingame against the San Mateo Highlands →
Oakland, and Jones & Emmons →

The home should fulfil one's inner desire for happy, lighthearted everyday freedom.

The design philosophy, printed in the 1956 opening brochure. The brochure is on archive.org and it is the single best primary document for this house.

What it was for

A loss leader with a roof.

The X-100 was not a product. Eichler Network is explicit that it — and the Belluschi Life House two years later — functioned as marketing, built to draw traffic to the ordinary model homes the tract actually depended on. eichlerx-100.com puts it the same way: it was “marketed to address development's sales challenges.”

Understanding that explains the house. It is not a refined production plan. It is a demonstration: here is what happens to a house when the structure stops being made of wood.

What the steel bought

Wood post-and-beam already gave Eichler an open plan. Steel gave him something else: a plan he could cut holes in. With six bents carrying the entire roof, Jones and Emmons could put two planted gardens, open to the sky, straight through the middle of the house — and run a thirty-two-foot skydome across it — without a single structural consequence. The master bedroom was partitioned by draperies and had no traditional windows at all.

And the gadgets

It was a house of tomorrow in the literal sense, and the details are wonderful: a kitchen table that parted in the middle to reveal dual burners, the Thermador element red hot in twenty-six seconds; a sunken shower with the sky for a ceiling; a fireplace that swivelled; reversible cabinet doors; a GE combination washer-dryer; Thermador built-ins; extensive Formica; Arcadia sliding glass doors.

Architects
A. Quincy Jones with Frederick E. Emmons, AIA
Designed
1955
Ground broken
May 1956
Opened
6 October 1956, free admission, seven days
Frame
Six steel bents — 4″ H-section columns carrying 8″ I-beams. No interior wall carries load.
Roof
Steel decking, folded to act as a sunshade
Walls
Basalite concrete block
Skylights
Wascolite Skydomes, including one 32-foot span — claimed in the brochure as the largest ever installed in a residence
Heating
Racon radiant, in the slab
Landscape
Douglas Baylis
Lot
80 × 100 feet
Construction cost
Up to $125,000 — far above what it sold for
Living space
Approximately 2,310 sq ft per the brochure; 2,190 per county-derived records. Why those differ →

Cost to build

$125,000

At the upper end of reported figures, 1956

Models up the street

$17,950

What the tract actually sold

The crowd, and the press

A hundred and fifty thousand people, attributed rather than audited.

~150,000 Reported visitors over roughly three months. The figure appears in every source, which is exactly why it deserves a flag: it most likely originates in Eichler's own publicity and has never been independently audited. PCAD hedges it as “supposedly.” We repeat it and attribute it.
6 Oct 1956. Weekdays 1–6pm, weekends 10am–6pm, admission free. The brochure's own directions place it “one-half mile south of Crystal Springs Road on Skyline Boulevard.”
Sunset · Life Plus Arts & Architecture, Popular Science, Living for Young Homemakers, and newsreel coverage. For a house that sold nothing, it was extraordinarily well published.

Inside

The frame is orange, and it is everywhere.

Talk to us →

Six bents of steel carry the whole roof, so the walls are free to be glass, or planting, or nothing at all. These photographs simply show what the structure argues.

An interior planted garden inside the Eichler X-100, open to the sky, with steel columns, glass walls on both sides and seating at the edge of the planting.
An interior garden, open to the sky. This is the move the steel frame paid for. One of the Skydomes runs from here “through the core of the house to the second interior garden — a distance of 32 feet,” which the brochure claims was the largest Skydome ever installed in a residence. Landscape by Douglas Baylis.
The living room of the X-100 looking out through corner-to-corner glass to the swimming pool, with the folded steel roof deck visible as the ceiling.
Living, to the pool. The glass runs corner to corner because no part of that wall is holding anything up. The ceiling is the underside of the folded steel roof deck.
The same interior garden in the X-100, lived in, with a free-standing cone fireplace and planting around it.
The same garden, lived in. A free-standing cone fireplace stands here today. The 1956 house was reported to have a fireplace that swivelled; whether this is that fireplace, we cannot say.
The X-100 kitchen with yellow and grey cabinet fronts, a wall of built-ins and two free-standing tables rather than a fitted island.
The kitchen. Sitting in the middle of the plan against the utility core, exactly where the 1956 drawing puts it. Yellow and grey fronts, a wall of built-ins, and two free-standing tables rather than a fitted island.
The X-100 kitchen table parted down the middle to reveal a concealed electric cooking surface set into it.
The table that cooks. The brochure's phrase is “a cooking surface concealed under the table top,” with Thermador's Speed-Matic element red hot in twenty-six seconds. It is still there.
A metal mesh curtain hanging inside the X-100 against glass, with steel structure and planting beyond.
Metal, hung like cloth. A mesh curtain, drawn against the glass. The X-100's interior fittings were Herman Miller, and the drapery was installed by Rodeo Interiors of Palo Alto.
A bedroom in the X-100 enclosed by floor-to-ceiling draperies rather than walls, with no exterior window.
A bedroom behind curtains. The brochure is blunter than any description of it: “A master bedroom with no windows.” Elsewhere: “Beyond the garden is the master bedroom suite, partitioned by draperies.” A startling thing to build in 1956 and a startling thing to still be looking at.
A study in the X-100 with built-in desk and shelving, steel columns and glass opening to a walled court.
Glass to a walled court. Screen block outside, steel inside. The walls that do not carry load are free to be openings.
The X-100 seen across its swimming pool at dusk, the interior lit through full-height glass.
From the water. The pool was on the plan from the start, not added later. This is the elevation the house was designed to have.
The entry garden of the X-100, planted and open to the sky, with a view straight through the house.
The entry garden. First item on the brochure's room list. You can see straight through the house to the pool from the front gate.
The sunken shower room in the Eichler X-100, open to the sky through a skylight overhead, tiled, with multiple showerheads.
The sky for a ceiling. The 1956 brochure calls it “a sunken shower room with the sky for a ceiling.” Seventy years on the sky is still the ceiling; the fittings are now a head and five body sprays.
The National Register of Historic Places plaque mounted at the Eichler X-100, reading that the house was placed on the register by the United States Department of the Interior.
The plaque. “Eichler X-100, 1956, has been placed on the National Register of Historic Places by the United States Department of the Interior.” Listed 20 June 2016, reference 16000381.

Photography of the X-100 on this page is by Sabrina Huang, reproduced with permission — please credit accordingly if you share it. The X-100 is a private residence and is not our listing. It is documented here because it is a National Register property and a published work of architecture, and it is not open to visitors.

From the 1956 opening brochure

The room programme, as Eichler printed it.

  • Entry garden
  • Two interior living gardens, planted, open to the sky
  • Master suite, partitioned by draperies, no traditional windows
  • Second and third bedrooms, opening to the children's play yard through Arcadia sliding glass doors
  • Two compartmented baths, one a sunken shower room “with the sky for a ceiling”
  • All-purpose room
  • Utility and plumbing core
  • Children's play yard
  • Carport — since enclosed with an aluminium rollup door, per SAH Archipedia
  • Swimming pool
  • Approximately 2,310 sq ft of living space

Sponsors and suppliers, as listed: Thermador, Waste King, GE, Racon, A.O. Smith, Formica, Arcadia, Wascolite, Armstrong Cork, Olean, Basalite concrete block, and Herman Miller — furniture, and the drapery fabric, installed by Rodeo Interiors of Palo Alto.

This is the part that dates the house most precisely. A 1956 demonstration home was a trade shop window as much as a piece of architecture, and the supplier list reads like one.

The brochure is on archive.org. Note that period marketing and the modern record do not agree on every figure — see below.

Where the record disagrees with itself

Three things about this house that are not settled.

The best-documented Eichler in San Mateo County still has open questions in its own file. We would rather show you them than paper over them.

Square footage — 2,310 or 2,190

SAH Archipedia and the 1956 sales brochure both say approximately 2,310 square feet. Modern county-derived records say 2,190. That is 120 square feet, about five per cent. Plausible causes: the historic figure may have included the carport or an interior garden; the current figure may be Assessor measurement, or may reflect the carport's later enclosure. Quote whichever you need, but say which one you are quoting.

Bedrooms — settled, and it is three

This circulated as a dispute and it should not have. Secondhand accounts had the 1956 brochure describing a master suite plus “three additional bedrooms,” which would make four. The brochure text itself says: “The second and third bedrooms in the Eichler Homes X-100 are beyond the master bedroom.” Master, second, third. Three. The brochure, the period plan with its three labelled bedrooms, and the modern record all agree — there was never a discrepancy, only a misreading, and it was ours until we checked the primary document.

First sale price — $47,000 or $60,000

Wikipedia says the house sold for $60,000. eichlerx-100.com says first owner Jesper Petersen bought it from Eichler for $47,000 in 1957. That is a 28 per cent disagreement. Both agree construction ran up to $125,000, so Eichler took a substantial loss either way. Separately, Eichler Network names Anna-Lise Pedersen as the 1964 purchaser and long-term steward, who kept the house close to original until her death in 2003. Whether “Petersen” and “Pedersen” are the same party, related parties or a transcription drift, we could not determine. The way to settle it is the San Mateo County Recorder, not a website, and we have not pulled it.

Ownership and market status change, and this house has been on the market within the last year through another brokerage. We are a Compass team and this is not our listing; anything about its current status is a question for the MLS on the day you ask, and we would check it rather than trust this page. Ask us and we will look.

One of one, and one of a hundred

Provenance is worth money, and most of it is never told.

The X-100 has a National Register listing, a named architect, a dated brochure and a first-owner story — and it is the exception. But plenty of ordinary Eichlers have most of that sitting in an archive nobody has opened: a plan number, an architect, an original specification, a first owner worth naming. In Burlingame that is the difference between “mid-century home” in the listing copy and a house with a documented file behind it. We do that research before we list.

Talk to us

Buying or selling a house with a history?

Tell us the street and we will show you the working — the plan, the architect where it is known, the cohort of comparable sales and the adjustments, with dates on all of it. If you own a Mills Estate Eichler and know something this site has wrong, that is even more welcome.